- L2 ultramaximizer shaping manual#
- L2 ultramaximizer shaping pro#
- L2 ultramaximizer shaping software#
The maximum level of a digital signal is governed by the highest peak in the However, many of these peaks Those familiar with digital editing By transparently controlling these peaks, the The L2-Ultramaximizer avoids the possibility of overshoot by utilizing a About maximum resolution. In order to make the best use of the L2-Ultramaximizer, it is important that we Once these The operation of the L2 breaks down into two main About maximum level. Chapter 2 - Some secrets of digital audio.
L2 ultramaximizer shaping software#
It will not show under mono Waves L2 software guide page 2 of 1 8. Processing in the L2 is 48-bit (double precision) processing, offering The L2 offers superb requantization for all bit- The development of L2's IDR offers two dither types and three noise- While the operation of conventional limiters is well understood, the limiter For mastering purposes, the peak level of the processed signal would Because a typical digital audio file L2-Ultramaximizer however, it is generally possible to significantly increase The Ultramaximizer is specifically designed for mastering, digital editing, In order to ensure the maximum possible Failure to observe this will not prevent L2 AND the benefits of IDR requantization will be compromised and will need re- The L2 is available as a stereo processor only. The L2-Ultramaximizer is the third-generation software processor, combining Control system, and ninth-order noise-shaping in the IDR implementation. 元 uuiTRarviaxittfKssR \ \ Normal Chapter 1 - About the L2. PDF, ePub, eBook, fb2, mobi, txt, doc, rtf, djvu
L2 ultramaximizer shaping manual#
The old studio adage is that if you don't make a safety copy, your master will get lost or damaged.▶▷▶▷ l2 maximizer manual l2 maximizer manual File Name: The DVD also serves as your safety/archive. In the event that you want to touch up or add to your master, we can restore your session so that you can continue working exactly from where you left off. This is so you have the option to make changes later without having to redo the original prep work. One of the few exceptions is the Massenburg designed MDW High-Res Parametric EQ which we find to be the most transparent plug-in we have ever used.Īfter running your master, we back-up all your song files, ProTools/DSP files and WaveBurner to DVD.
Plug-ins are only used for noise reduction, special fx and for problem masters, where plug-in automation is the most precise way to solve a problem.
L2 ultramaximizer shaping pro#
To summarize, we master almost exclusively with class-A outboard gear and so we use our Pro Tools HD system primarily as our "playback/record" unit. We also own the LavryGold LE3000s real time SRC but are still working on a way to integrate it into our system. However, we have the Weiss Saracon on order which is reputed to be the best software based SRC. We have used the Pro Tools SRC, which when compared to other work stations, is very good. With higher resolution files, such as 88.2 or 96k masters, the sample rate converstion processor is very important. Some manufacturer's noise-shaping techniques and dither, such our Waves outboard L2 Ultramaximizer or POW-r dither, sound a lot better than others.
Dither is a technique used to mask the noise created by re-quantizing when the 24 bit file is resolved down to 16 bits and noise-shaping techniques move the noise to a frequency that is less disturbing to the ear. The particular functions you should be concerned about are dithering and noise shaping. Once your DSP is completed, the sound file has to be brought back to 16 bits. So what should you look for? Make sure the studio's DAW and/or digital gear does all processing at 48 bit double precision or the 32 to 48 bit floating point process.
Another cause is inferior programming of the DSP algorithms (as compared to high-end digital outboard gear), which is a common characteristic of both inexpensive and "Swiss army knife" digital audio/midi programs and most recording studios-in-a-box. One reason is that DSP can't be done in a sonically pleasing manner at the CD standard of 16 bits and so has to done at a higher rate, which is beyond the capabilities of some older DAWs. For example, some digital EQs sound edgy and unmusical and your music could end up sounding grainy and lifeless when compared to the original master. Please note that your new sound files will be permanently changed when processed and not every DAW handles processing in a musically pleasing manner. DSP is accomplished by performing mathematical calculations (called re-quantizing) on your digitized sound file. A Technical Note Re Digital Mastering and DAWsĬomputer based editing and mastering services include items such as change gain, mix, equalize, compress and sample rate conversion which are technically called digital signal processing or DSP.